All the world's a stage,
And all the men and women merely players;
They have their exits and their entrances,
And one man in his time plays many parts,
His acts being seven ages. At first, the infant,
Mewling and puking in the nurse's arms.
Then the whining2 schoolboy, with his satchel3
And shining morning face, creeping like snail4
Unwillingly5 to school. And then the lover,
Sighing like furnace, with a woeful ballad6
Made to his mistress' eyebrow7. Then a soldier,
Full of strange oaths and bearded like the pard,
Jealous in honor, sudden and quick in quarrel,
Seeking the bubble reputation
Even in the cannon's mouth. And then the justice,
In fair round belly8 with good capon lined,
With eyes severe and beard of formal cut,
Full of wise saws and modern instances;
And so he plays his part. The sixth age shifts
Into the lean and slippered9 pantaloon,
With spectacles on nose and pouch10 on side;
His youthful hose, well saved, a world too wide
For his shrunk shank, and his big manly11 voice,
Turning again toward childish treble, pipes
And whistles in his sound. Last scene of all,
That ends this strange eventful history,
Is second childishness and mere1 oblivion,
Sans teeth, sans eyes, sans taste, sans everything.